Ladies Home Journal (December 1963)
Two oldies—Cheltenham and Century—head the list of roman display types, with Franklin Gothic leading the field in sans-serif display faces.
Sixty full- and double-page ads were examined for display and text types. In the display column, 31 ads featured 13 different roman types, while 21 ads contained 8 different sans-serif types. For text composition, 14 roman types were used in 37 ads, with 5 sans-serifs being used in 18 ads.
It is interesting to note that for display purposes, never-say-die Cheltenham tied for most use (four) with another oldie, Century. Among the sans-serifs, another perennial, Franklin Gothic (circa 1903), was used more than all the other sans-serif types put together.
Display Types
CLASSIFICATION | TYPEFACE | COUNT |
---|---|---|
Oldstyle | Bookman | 2 |
Oldstyle | Centaur | 1 |
Transitional | Baskerville | 3 |
Transitional | Century | 4 |
Transitional | Cheltenham | 4 |
Transitional | Hand or Photolettering | 2 |
Transitional | Melior | 1 |
Transitional | Times Roman | 3 |
Modern | Bodoni | 1 |
Modern | Craw Modern | 1 |
Modern | Hand or Photolettering | 8 |
Modern | Torino | 1 |
Modern | Ultra Bodoni | 1 |
Sans Serif | Futura | 1 |
Sans Serif | Optima | 2 |
Sans Serif (Gothic) | Folio | 1 |
Sans Serif (Gothic) | Franklin Gothic | 10 |
Sans Serif (Gothic) | Hand or Photolettering | 3 |
Sans Serif (Gothic) | Lightline Gothic | 1 |
Sans Serif (Gothic) | Standard | 1 |
Sans Serif (Gothic) | Venus | 2 |
Square Serif | Hand or Photolettering | 3 |
Script | Hand or Photolettering | 1 |
Script | Rondo | 1 |
Decorative | Cooper Black | 1 |
Decorative | Hand or Photolettering | 3 |
Text Types
CLASSIFICATION | TYPEFACE | COUNT |
---|---|---|
Oldstyle | Bookman | 3 |
Oldstyle | Centaur | 1 |
Oldstyle | Garamond | 2 |
Oldstyle | Oldstyle No. 1 | 1 |
Transitional | Baskerville | 5 |
Transitional | Caledonia | 1 |
Transitional | Century | 4 |
Transitional | Century Expanded | 4 |
Transitional | Century Schoolbook | 5 |
Transitional | Cheltenham | 2 |
Transitional | Fairfield | 1 |
Transitional | Melior | 1 |
Transitional | Times Roman | 3 |
Modern | Bodoni | 3 |
Modern | Modern Extended No. 1 | 1 |
Sans Serif | Futura | 1 |
Sans Serif | Optima | 1 |
Sans Serif (Gothic) | Lightline Gothic | 1 |
Sans Serif (Gothic) | News Gothic | 14 |
Sans Serif (Gothic) | Standard | 1 |
This article first appeared in the “Typographic Scoreboard” column of the March 1964 issue of The Inland Printer.